Post by account_disabled on Feb 25, 2024 4:34:48 GMT
Levi's® is a global brand founded in 1853 by an immigrant who sought to create comfortable and durable clothing that would withstand the long and hard days of workers. Since then Levi's® has managed to place itself at the center of culture, dressing workers from all industries, and characters who have changed the course of our history. Levi's® began operations in Mexico in 1966 and since then we have demonstrated as a local company that we conduct ourselves ethically; We operate and fully comply with our obligations both with our consumers and with society, our collaborators and with the Government of Mexico. It is necessary to make public knowledge that behind the opening and inaugural event of our store in Oaxaca, there are several months of planning and work with the best local allies.
For this reason, we sought the support and alliance of renowned local artists, designers and artisans who decided to collaborate with us and contribute all their experience, career and talent so that our celebration could exalt the beautiful Oaxacan culture in the most faithful and professional way. In particular, one of our collaborations was with the renowned Oaxacan project Draco Textil, directed by 2 women entrepreneurs and leaders, Pamela Cosío and Zuluem Zarco, who America Cell Phone Number List for more than 7 years and together with the artisan coordinator Fidel Lazo, have collaborated with artisans Oaxacans. Thus, through them, we had the fortune of collaborating with Luisa Méndez, María Martín and Daniel Moreno, artisans from the region of San Felipe Jalapa de Díaz in Tuxtepec, Oaxaca, who hand-embroidered the canvases that were later intervened with their prior authorization.
The intervention work with the embroidered canvases for the 50 garments of this collaboration, divided into 25 pants and 25 denim jackets, was carried out in the Draco workshop, located in the city of Oaxaca by: Socorro Enríquez, Adonaí Sánchez, Cecilia and Alicia Santamaría, Norma Cabrera and Yolanda Cerrillos. In the same way, the artisan Teresa Osorio from the Santa María del Tule Municipality, Oaxaca, collaborated, who hand-woven fringe details for some pieces. On the label of each garment there is information about the intervention of each garment including the technique and the corresponding serial number. These interventions were not produced on a massive scale, nor in workshops other than the aforementioned artisans and much less by hands and/or machines not related to the communities.
For this reason, we sought the support and alliance of renowned local artists, designers and artisans who decided to collaborate with us and contribute all their experience, career and talent so that our celebration could exalt the beautiful Oaxacan culture in the most faithful and professional way. In particular, one of our collaborations was with the renowned Oaxacan project Draco Textil, directed by 2 women entrepreneurs and leaders, Pamela Cosío and Zuluem Zarco, who America Cell Phone Number List for more than 7 years and together with the artisan coordinator Fidel Lazo, have collaborated with artisans Oaxacans. Thus, through them, we had the fortune of collaborating with Luisa Méndez, María Martín and Daniel Moreno, artisans from the region of San Felipe Jalapa de Díaz in Tuxtepec, Oaxaca, who hand-embroidered the canvases that were later intervened with their prior authorization.
The intervention work with the embroidered canvases for the 50 garments of this collaboration, divided into 25 pants and 25 denim jackets, was carried out in the Draco workshop, located in the city of Oaxaca by: Socorro Enríquez, Adonaí Sánchez, Cecilia and Alicia Santamaría, Norma Cabrera and Yolanda Cerrillos. In the same way, the artisan Teresa Osorio from the Santa María del Tule Municipality, Oaxaca, collaborated, who hand-woven fringe details for some pieces. On the label of each garment there is information about the intervention of each garment including the technique and the corresponding serial number. These interventions were not produced on a massive scale, nor in workshops other than the aforementioned artisans and much less by hands and/or machines not related to the communities.